[indo-jazz fusions] - [recordings] - [biography] - [reviews] Indo-Jazz Fusions at the Hilton, Colombo, Sri Lanka
The Sunday Times Plus : Sunday May 30 1999
"Piloo" we noticed, with its frontline of muted trumpet and flute, was pretty much along the lines of the structured neatness of the West Coast sound, as epitomized in the work of say, Bud Shank. The versatility of the band was well in evidence as it travelled through a gamut of Indian inflected tempi and encompassed everything for hard swinging hard-bop, through the spirit of Havana to touch on Caribbean reggae as well! There were equal measures of California cool, the exoticism of Ellington-Strayhorn, and the 'heat' of Maynard Ferguson in the arrangement for the ensemble.Pianist Simon Colam (recently graduated from Guildhall), on the other hand, adapted himself by superimposing well-tempered chord structures on top of the micro-tonal raga scale, and usually succeeded in taking the music in a different direction - at one moment employing the elegance of say Michel Petrucciani, and than, in another piece would lapse into the ebullient hard bop of Jacky Terrason. In this, he was ably supported by the rhythm of Dave Foster's electric bass, and Andrew Bratt, who one can sense, is a drummer more at home in the mainstream; but having said that, he does work with other elements commendably, when he also settled for the South Indian Ghatam at times! Through all of this, the Indo aspect is shored up by Jonathan Mayer's (the leaders son; himself a fine composer) sitar and Harjinder Matharu's tabla. Despite the commercial crassness inherent in the term at this time, what we did have demonstrated was that the fusion of streams of musical traditions and rhythms is not out of date, and can still offer challenges to players - and who better to prove that, than the forerunner of the trend, the uncompromising John Mayer himself!
Magical Fusion Experience
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